Dutch-born Margriet Tindemans is equally at home in the music by the 12th century mystic Hildegard of Bingen, the music of renaissance Courts of Europe, the solo viol repertoire of the High Baroque as well as in the contemporary works by Kevin Volans and Joan Pranks Williams, who are among the many composers who dedicated works to her. This has made her one of the most sought after players of early bowed strings instruments worldwide. She maintains an active performing, recording and teaching schedule. She is on the faculty of the University of Washington School of Music and directs the Northwest Center for Early Music Studies and the Early Music Vancouver Renaissance and Baroque program. She has recorded for Harmonia Mundi Germany and France, Erato, accent, Classical Masters, EMI, Smithsonian Collection, Eufoda, CRD, and Koch International Classics.