
Our friends from the fasola community join with Camerata singers and audience members in a post-concert tribute to Jeremiah Ingalls. The leader is Tom Malone.

A new documentary film featuring music and onscreen performance by The Boston Camerata has just won two awards at a Canadian film festival.
“A Chair Fit for an Angel,” by director Raymond Saint Jean, was named best Canadian documentary and best French-Canadian documentary at the March, 2014 FIFA film festival in Montreal.
All the music for the film, including onscreen interviews and performances, as well as soundtrack music, was supplied by The Boston Camerata, co-directed by Anne Azéma and Joel Cohen. The subject of the documentary is Shaker culture and art.
In addition to Camerata’s Shaker songs, choreography by Tero Saarinen, from the music and dance production “Borrowed Light,” is also featured. Several sequences depict interactions between Camerata soloists and the dancers of the Saarinen company.
The film will have its first showings in Europe in early April. Distribution/release in the United States has not yet been announced.
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the CyberCentaur sent to me the silliest video he could find: the Mozart Turkish Rondo massacred by the Boston Camerata, assisted by Dünya. Happy New Year!
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the CyberCentaur gave to me this incredible video about justice and devilry.
As the Boston Camerata sings and plays (from the CD “A Mediterranean Christmas“), some wayward genius on Youtube animates the Cantigas narrative with medieval imagery, most of it drawn from the Cantigas manuscripts themselves. And just to help you along, there are subtitles, in medieval Portugese…
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the CyberCentaur gave to me this amazing American fuguing tune by 18th century Connecticut composer Daniel Read, still sung and loved by thousands in the Sacred Harp tradition.
New Year’s Day, the CyberCentaur gave to me this beautiful meditation on Fickle Fortune, featuring the voices of Anne Azéma and Christi Catt, and dedicated to our friend and colleague Boujemaa Razgui.
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