photo by Jonathan Williams and Paula Aguilera
One Week Until Dido and Aeneas!
Today we share some candid rehearsal pictures of our Dido and Aeneas! See principals Tahanee Aluwihare, Luke Scott and Camila Parias, as well as our terrific band, all hard at work in Pickman Hall at Longy School of Music of Bard College.
Behind the Scenes: Orchestra Edition
Dr. John McKean, our all important harpsichordist for our Dido production, provides some perspective on Dido’s famous lament “When I am laid in earth.”
Happy Halloween from the Boston Camerata!
This week, at the height of spooky season, we focus on the malefic part of Dido and Aeneas, with thoughts from Prof. Ellen T. Harris and two Sorcerers, as well as instrumental music for the Witches from our opera.
We hope everyone has a safe and fun Halloween!
Filming Begins for Dido and Aeneas
Earlier this week we spent a gorgeous day filming some images that will be part of Dido and Aeneas: An Opera for Distanced Lovers, which is coming very soon! The Camerata soloists were joined by a group of students from Longy School of Music of Bard College, several of whom are singing supporting roles in the opera.
A Glimpse Behind the Scenes
Here’s Anne in the formal garden where some of the Dido action will be taking place, as we do a live video shoot in a few days. Learn about the sets and the settings for our innovative, multilayered production of Henry Purcell’s masterpiece.
Introducing…A New Logo!
We bid a fond “au revoir” to our friend the centaur, 
who hails from a Medieval manuscript preserved in an Avignon archive. But times change, and we want to adapt our Camerata “look,” as we face both challenges and opportunities in the seasons and years to come. Music lives!
Happy Harvest Time!
Songs for the Season
Henry Purcell wrote a “Harvest Home,” and in old England, harvest songs to celebrate the changing season were in fact a tradition. Closer to home, our own Jeremiah Ingalls published one such song in Exeter, New Hampshire, in 1805. We find its eloquent melody and somber text to be much in keeping with the current moment, and herewith offer it to you, paired with another tune that Ingalls employed, “The Cuba March.”
Here we hear:
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Why is Purcell’s Dido and Aeneas so special?
Why does this brief work, less than an hour long, create such a powerful, emotional impact?
We’re fortunate to have Ellen T. Harris, eminent Baroque scholar and Professor Emeritus of Music at MIT, on our team. Dr. Harris, who quite literally wrote the book on Dido, will be delivering the pre-concert talk before our performance in November. Here she shares with us her thoughts about this incredible, compact musical drama.
Continue readingCelebrating the 40th Anniversary of Camerata’s First Dido
This week we will hear about the groundbreaking 1979 Camerata production and recording of Dido and Aeneas from Camerata Music Director Emeritus Joel Cohen and Board member David Griesinger.
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