Anne talks about the upcoming holiday concerts in an interview published yesterday in The Boston Musical Intelligencer.
Camerata in Providence Today!
As part of the RISD Museum Concert Series, the Camerata will perform Puer Natus Est: A Medieval Christmas Continue reading
Enjoy the holiday season with the world class Boston Camerata!
Join us for two Christmas programs! Continue reading
The Tale of Fauvel – This Weekend Only
This biting fable was conceived in Medieval France, but it feels as contemporary as the latest skit from late-night television. Continue reading
In-Memoriam: Don Wilkinson
The Angel Took Risks
How, then, to say goodbye to a collaborator, colleague and companion of twenty-five years, someone with whom we made music, sharing good times and bad, season after season, adding up to a full third of man’s biblical lifespan? What appropriate, meaningful words can come forth, even as we struggle with our tears and our grief, to evoke for others essence of Donnie’s kind and tender soul?
He was a man of almost angelic purity. Candid and naïve almost to a fault, held back from the start by problems of education and upbringing, he wanted, despite significant inner handicaps, to go forward towards life and to give his existence meaning. And he did indeed forge a path for himself, realizing his ambition to be a performing artist, and giving enormous pleasure and consolation to countless others via the beauty of his voice. To cite a line from the American songbook, a repertoire that Donnie treasured and recorded, he did it his way. There is a nobility to his existence, and I am humbled as I contemplate, insofar as I perceive it, the arc of his life.
You heard that round, warm, tender singing voice, onstage and via recording, and reveled in its author’s solid, confident musicianship, in his authentic and appealing personal presence. Did you know, however, that Don’s training was as an electrical engineer, and that he spent years working in a large corporation before deciding that music was his true calling? He told me once that his family had strongly counseled against his career change. Yet he persisted, leaving secure employment, and braving, at the start of his new professional life, genuine hardship and financial stress. He took a big risk, and he succeeded, becoming a property owner in his personal life, and a reliable and welcome part of the Boston-area musical scene.
And none of us, in a field known for its competitiveness and occasional cruelty, ever saw Don, as he rose to widespread acceptance and appreciation, show anything but good will and respect and frequent affection to his colleagues. “He didn’t have a mean bone in his body” is the refrain I have heard echoed from several corners over these last days. He indeed did it his way, but his way, so remarkably, included remaining a gentle soul, always and forever.
And his utterly extraordinary purity of being was unclouded by any trace of pretentiousness, posturing, self promotion, or self-righteousness.
What you heard from the concert hall stage, as Donnie’s rich baritone rang out, was an affirmation of life and, also, a declaration of love for creation itself. As far as I know, he, though a church musician, was himself unchurched; and so I believe that his singing was the most intense expression of his genuine and authentic spirituality.
We also saw this offering of love, and this search for love, in his other activities and passions. So many of us learned from, and enjoyed, his intense devotion to the world of birds, his forays with binoculars into forests, swamps and marshes – some of us occasionally accompanied him to those places – and, after every tour to every continent, his inevitably long lists, circulated to one and all, of every winged creature he had managed to spot. We were awakened to the world of birds via Don’s enthusiasm, and our sense of awe at the diversity and richness of the universe was increased immeasurably.
He was an enthusiast about the things that were important to him. He also loved nineteen-fifties crooner records, and I Love Lucy memorabilia, and celebrity autographs, and old board games. And Scrabble. And the ocean. And, oh yes, his adored kitties. What an admirable appetite for existence!
I am so sorry for the numerous sorrows he underwent, for his failure to find a lasting, significant other, for the suffering engendered by his final disease. But his existence had meaning; even though it was too short, his was a rich life. He shall continue to live in our hearts for the light, the air, and the beautiful music his time on earth engendered. The angel took risks. He brought goodness into the world. May our friend Donald Wilkinson rest in peace.
Aniane, September 29, 2018
City on the Hill, Liberty Tree in Paris in September
Our 64th Season On Sale Now!
Cities, with their energy and dynamism, are central to our 2018-19 productions. This October, see and hear the orange animal Fauvel as he travels to NowhereLand and then to medieval Paris in his funny, chilling quest to rule the universe. Next, celebrate Christmas with us with glowing, sumptuous sounds of the season from Rome, Florence, and Venice. Finally, return home to America, to New England, and to Boston, the shining City on the Hill for so many of our ancestors, and share their songs of hope and their dreams of liberty in a better place.
Anne and the Camerata proudly present our 64th consecutive season of extraordinary music. Please join us on the Grand Tour!
Anne & Joel on WGBH!
Anne & Joel discussed Tristan & Iseult on Open Studio With Jared Bowen on WGBH April 15th!
They appear at about 6:50 into the program, right after the segment about Frederick Douglass.
Tristan & Iseult Next Weekend!
Our retelling of the Tristan and Iseult legend using original medieval music and poetry has won numerous awards and toured the globe since its premiere in 1986. Now, Anne Azéma brings this immortal lovers’ tale back to life, directing an all-star cast in Joel Cohen’s powerful scenario.
Hear the world’s most famous romance as it was narrated in the Middle Ages, with magnificent music drawn from 12th-century sources.
Clare McNamara, voices; Shira Kammen, vielle;
Joel Cohen, gittern, lauta, narration;
with young professionals from
Longy School of Music of Bard College
Lighting design by Peter Torpey
Tickets $25/$42/60; $10 students
Purchase online or by calling 617-262-2092.
Thank YOU for a marvelous season!
We look forward to seeing you at our 2018 performances
Anne and The Boston Camerata